Surely by 2017-2018 was very into ambient dub from Scorn and some Aphex Twin atmospheres including Biosphere freezing atmospheres that I really Love, this were my second experiments on electronic stuff all computer controlled because synths are so expensive on the third world. I used my toontrack drum machine and layered guitar and deep bass parts and ambient pieces of sound, some songs are inconsistent but I tried to emulate what Mick Harris did on his Scorn project in the 90’s, the truth was, I really don’t know what I was doing except that I really liked the atmosphere of music I was creating, maybe the inconsistence was because I was experimenting with the layers of sound.
Don’t remember how much costs to compose this I was really into it so when I re heard now It seems impossible to recreate. There are samplers from Paulina Oliveros an electronic composer, from Frank Zappa, Sin City film and other samples that I dont really remember, reason why this was not uploaded on spotify shit because licenses but fuck off… electronic music saved my life.
Artwork was made by myself, It was a shoot in a familiar party the same year when I felt in love with Scorn’s Evanescence album and sounds by 2013, remembering really good times.
- Ambient Dub I Ft. Frank Zappa
- Ambient Dub II: Nightdrive
- Sin City Night Street Ambient
- Minimal Music For Whorehouse
- Tropical Blizzard ft. Paulina Oliveros
Estas grabaciones fueron compuestas en una sola toma. Nada fué pre hecho o pensado. Se trata de un tipo con su computadora armada, con un bajo japonés de los 70’s barato y algunos sintetizadores piratas. La tecnología es nuestra, es libre y disponible para todo el que quiera hacer maldito ruido. Aquí no hay reglas sólo lo que se encuentra dentro de tu cerebro y tu habilidad para crear algo desde cero. Por siempre un experimentador del sonido. Mkrieg.
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